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Tales of this sort aren't interested in
you when you come in, but when your time

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is up.

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Good evening.

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I have some news that will delight you.

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Murder is not dead.

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I do not refer to the ones splashed all
over the front pages.

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Those are in such bad taste.

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I refer to those exquisite murders that
have a touch of the bizarre.

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and which take fiendish ingenuity to
soul. Those are alive and well.

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One will be presented for your shivering
delight immediately.

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Hitchcock was a genius of a filmmaker,
but way over on the dark side.

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Hitchcock was that master of suspense
where he could slowly build the

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By the end of the movie you're sitting
like this.

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His building of suspense gets in your
blood and stays in your life.

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You knew when you went into a Hitchcock
film that you were going to be

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entertained.

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All of his films are about murder and
embezzlement and blackmail and

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assassination and you might be scared.

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On a few occasions you might be
horrified, but you knew you were going

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entertained.

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Hitchcock's name was synonymous with
something that was going to be very

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special.

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Not the wedding ring.

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No one does suspense like Hitchcock.

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His ideas work.

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They completely work.

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Turn out the light, he says.

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You really feel his personality in all
the movies.

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In this house, the most dire, horrible
events took place.

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He was sort of a family member. He sort
of went to see his movie.

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The bathroom.

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The shower sequence in Psycho is
unforgettable.

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It was just brilliant.

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I don't think I saw an audience react
that way.

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In such excitement and such shock.

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It marked me for life. It was
terrifying.

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All of Hitchcock's films are made with
such craftsmanship that you get a sense

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of how it's done at the very highest
level.

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Hitchcock was one of the most precise
filmmakers that have ever lived.

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He devolved to a certain style. It was
very sharp and clean. You got the

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of the picture, the essence of the
story.

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There's a specificity that's almost
unsurpassed. There's nothing sloppy at

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in Hitchcock.

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Suspense doesn't necessarily mean crime
or murder or a brutal scene. I think

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there is just as much suspense.

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in a love scene.

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Hitchcock is a master at that. The
sexual tension is absolutely electric.

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The beauty of Hitchcock's work is that
the more subtle moments are even more

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powerful and more lasting.

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The quiet contributes to the tension.

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He understood the sense of what was
unsettling, so he took the symbols of

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innocent. And threaten them.

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You get a sense of that innocence being
corrupted.

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Being defiled.

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They're alive. They're human beings.

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Are they?

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I think you're the cause of all this.

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I think you're evil.

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Evil!

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You know what I think?

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I think that we're all in our private
traps, clamped in them, and

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none of us can ever get out.

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We scratch and claw, but only at the
air, only at each other.

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And for all of it, we never budge an
inch.

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